The Wedding Singer is a musical adapatation of the 1998 movie of the same name. Because most of you have seen it, and are familiar with the plot (even if you’re not, it’s a predictable rom-com) I’ve decided to skip to the good stuff. This is a review of Hart House’s ongoing production of The Wedding Singer, set to the music of the main theme/opening number of the show. Enjoy!
I saw this play 3 hours ago
I’m still humming some of the songs
‘Decided to write a review
Of what went right and what went wrong.
Now indulge me a moment, if you please;
I have a lot to say about this show,
and the actors I thought were good
Here it goes:
Isaac has that “X-Factor” –
an accessible actor.
But his pitch control could
Ashley Gibson wasn’t bad,
and her singing really had
a lovely quality
that makes us all love her.
Cortina was a great, strong crooner
even when her mic went berserk.
But she couldn’t bring the humour
to her lines – they needed some work.
Horsman was a delightful dancer,
and her songs really brought
us to the moment.
Cattel was a rapping grandma –
what can I comment?
The ensemble was quite strong,
even in the weaker songs,
and their dancing was all
This show is just lots of fun
(‘cept for those who’ve seen it once).
I would recommend
you see it sometime soon.
Note 1: Yes, it’s not perfect. Considering the constraints – a review deadline and an imposed rhyme scheme and working in people’s names and accurate descriptions of their performances – it’s really not that bad. Seriously, if you’re looking for someone to write the opening for the next Tonys…
Note 2: Apologies to Mr Bell, who is treated with undue familiarity for the purpose of meter.
Note 3: There is some precedent for the moment/comment rhyme, imperfect though it may be. See Shakespeare’s Sonnet XV. I take full responsibility for the mangled syntax.