La Cenerentola (Cinderella) – Almost there but not quite
Monday, April 25th, 2011La Cenerentola is running from April 23rd to May 25th at the Four Seasons Centre for Performing Arts. For people running on a student budget, rush tickets are $20 and are available starting at 11 AM the day of the performance. If you are under the age of 30, you are eligible for Opera for a New Age tickets for $22.
After a short hiatus in March, the Canadian Opera Company returns with three new productions: La Cenerentola (Cinderella), Ariadne auf Naxos and Orfeo ed Eurydice. I will be reviewing all three of them over the course of the next few weeks. The first of the operas to start its run is Gioachino Rossini’s La Cenerentola, which is an operatic version of the classic fairy tale, Cinderella.

Overall, the COC presents a whimsical production that is sure to draw out a few laughs during the entire performance. The libretto (or lyrics) is clever and humourous and the music, lively and energetic. A special mention goes to the orchestra who played a captivating overture – a delightful piece of music to listen to but I felt that the energy of the piece would have been better conveyed if there was some sort of action on stage. Another special mention belongs to the leading lady, Elizabeth DeShong, who played a vocally enchanting Angelina (Cinderella). There were many times where I felt that her arias were much too short and I wished that they could go on forever.
Clorinda and Tisbe, played by Ileana Montabetti and Rihab Chaieb respectively were well cast as the comical and yet snotty evil stepsisters. Lawrence Brownlee played Prince Ramiro and although he was absolutely enchanting in arias that involved wooing and love, I felt that he was a little weak when playing the role of an authoritative monarch. In one part when he sings on how he is absolutely furious and determined to find the mysterious girl with whom he is in love with, my friend commented, “He was probably the least threatening prince I’ve ever seen.” Perhaps the power behind Brownlee’s voice will reveal itself eventually but in the meantime, I would really like to see him sing in a role with more lyrical arias. Sadly, I also felt that the other male cast members – Cinderella’s stepfather, Don Magnifico, the prince’s valet, Dandini and the prince’s tutor, Alidoro – sounded similar and were a bit forgettable once their songs were over.





I am always on the lookout for free and fun events happening around campus. My hunt has led me to join the Facebook group of virtually every Student Union, it’s caused me to mark down every Varsity game and every free commuter pancake breakfast. Recently, however, I have discovered the gem that is the 












